Macro Photography Ideas. The wonderful thing about macro lens photography is that you can find subjects anywhere. No need for international travel or even leaving your house and backyard. If you just look carefully, you’ll find opportunity right at home. Got a spider in your window? Get up-close and personal with a decent macro lens to see your little housemate in a whole new light. Are your fruit trees blossoming? You can lose yourself for hours in a quest for the perfect flower shot.
But, after spending hours in the backyard, you’ll want some fantastic photos to show for. And you’ll want those photos to be sharp, so that you can really see every glorious little detail of your macro subjects. We’ve collected four tips to help you get razor sharp macro images every time. And if you’re new to the field and need some inspiration, we’ve included some great macro photography ideas to get you started.
Minimize camera shakean have the best camera and the best lenses, but you won’t get sharp images if you’re not keeping your camera still. The easiest fix is to stick your camera on a quality tripod. The thing about tripods, though? There’s no one tripod that is perfect for you.
Heavy-duty tripods offer great stability and work well for indoor photography. You can take them outside too, but they’re heavy to carry around. Lightweight tripods are more portable, making them excellent for traveling and hiking. On the flip-side, travel-friendly tripods are less stable. If you need to change locations and reposition your camera frequently, a monopod may be a better alternative for flexibility, but you will sacrifice some stability.
If you prefer to avoid tripods and monopods altogether, you can use something else to stabilize your camera, such as a wall, rock or park bench. Or the ground. If this is your style, we recommend using a small beanbag to keep your camera steady on uneven surfaces and protect your gear against scratches and scuff marks.
Watch your aperture for maximum sharpnessnow that a wide-open aperture results in a very narrow depth of field, causing the background – and sometimes parts of the subject – to be out of focus. A smaller aperture allows you to keep more of the scene in focus.
Experienced macro photographers use the aperture to control whether the background will be smooth and blurry to remove distracting details, or bring it into focus to show the subject as part of a larger scene. You should try this too! Just don’t make the mistake of going for the smallest possible aperture to get maximum focus and sharpness.
At smaller apertures, you’re more likely to lose fine details in your photos. We know this phenomenon as lens diffraction, and it’s all about physics: when light passes through a narrow aperture, the light waves will spread out and get in each others’ way. This will cause your images to lose sharpness. The smaller the aperture, the more pronounced this effect is.
There’s no absolute f/stop number where lens diffraction becomes an issue. That depends on several factors, such as the size of the individual pixels on your camera sensor and the quality of your lens. Our Irix 150mm f/2.8 Macro 1:1 full-frame lens features eleven rounded aperture blades to give you the best of both worlds: super smooth bokeh when wide open and minimal diffraction at narrow apertures.
Whatever lens you use, we recommend experimenting with your camera and macro lens to get a feel for which aperture settings give you the best depth of field without losing sharpness.
Use manual >Use manual focus for macro lens photographylens is a lifesaver for street and sports photography and any other niche where you have to react quickly to capture the perfect shot.
Macro lens photography is different: When you’re working with tiny subjects, your focus needs to be very accurate. Say you’re photographing a spider through a window: The AF system will be just as likely to focus on the windowpane as on the spider. And when it does focus on the spider, you can’t be sure that it will focus on the right part of the spider, such as the eyes.
With a quality, manual-focus macro lens, you are in complete control. You can set the focus exactly where you want it. And you can make considered decisions about depth of field, ensuring that every important detail is in focus. It will take a little longer at first, but with practice and a well-designed lens, you will get perfectly focused images almost every time.
We’ve tailored the Irix 150mm f/2.8 Macro 1:1 lens to take the fuss out of manual focusing.
The rubberized focus ring is wide and easy to handle, and it turns 270 degrees from minimum focus distance to infinity for quick and precise adjustments. What’s more, the lens talks to your camera, so the camera will tell you when you’ve set the focus point right. There’s also an innovative focus lock ring to avoid accidentally changing the focus between shots or when moving the lens.
With a quality, manual-focus macro lens, you are in complete controlIrix 150mm Macro 1:1
Use a full-frame, quality>Use a full-frame, quality 1:1 macro lensil in your macro subjects, you need a quality macro lens with a 1:1 magnification ratio or higher. The 1:1 ratio means the lens can project a subject onto the camera sensor at the same size as in real life. Remember the spider in the window? If the spider measures two centimeters, then the projection of the spider on the camera sensor will also measure two centimeters when shooting at the minimum focus distance of the lens.
The idea with a 1:1 ratio is that you are capturing far more detail than at a lower ratio. This comes in handy when it’s time to print your best macro shots or display them on a large screen. Thanks to the extra you capture with a 1:1 lens, your photos will appear much sharper than a comparable image snapped on a lens with smaller magnification.
One last thing to consider is crop sensor versus full-frame lenses. Crop sensor lenses are made specifically for cameras with smaller sensors, such as APS-C or micro four-thirds. Full-frame lenses are made for cameras that sport larger 35mm sensors, but you can use them on crop sensor cameras too. This provides more flexibility for crop-sensor camera owners who might upgrade to full-frame sometime in the future. Full-frame lenses are also known to produce superior image quality, including sharpness, making them a better option for macro lens photography.
To help bring out every glorious detail in your macro subjects, you need a quality macro lens with a 1:1 magnification ratioIrix 150mm Macro 1:1